1. What are Spider
Jerusalem's morals? Who or what does he
fight for?
2. What are Spider's motives throughout these stories?
2. What are Spider's motives throughout these stories?
3. I felt that the
Filthy Assistants were entertaining, but ultimately not integral to the
series. Your thoughts?
4. Not many graphic
novels get political. Ex Machina's stories were taken straight
from post-9/11
headlines, did you sense any of the political stories in Transmetropolitan ringing true or
familiar?
5. Transmetropolitan was written over the
course of 9/11, yet the book continued on apologizing to no one and not
confronting the issue as far as I could tell.
Was this a good choice by Ellis?
Do you think he offended anyone at the time?
6. You only ever see
excerpts of Spider's articles until the very last trade, which collects them
all. What did you think of this artistic
choice? Would the articles have
clarified events or furthered Spider's character?
7. Transmetropolitan is most definitely
gritty, grimy, and over the top. Did you
find this to be appealing or not? Why?
8. Ellis seems to be
a pretty varied writer, having this, Orbiter,
and Planetary under his belt. Are there any common themes among his work?
9. As with many
antiheroes, critics say that Spider Jerusalem is simply unlikeable and seems to
never be humanized throughout the series.
What do you think?
10. Vertigo Comics often seem to
subvert what we consider to be a hero.
Is Spider a superhero in the same vein of the Sandman?
11. Why does Spider Jerusalem
return to and tolerate the City?
12. How does this
series illustrate the importance or lack of importance of journalism in a
democracy?
No comments:
Post a Comment