Our next book club selection is one of the most famous comics runs in history, Alan Moore's 1980s Swamp Thing run. Moore took what started as a rather cheesy action comic into a gothic, cerebral, and quite adult series. Swamp Thing becomes more than a monster in the first issue and the series gets even less conventional and more creative from there. Here are discussion questions for this month:
1. Many
reboots of obscure superheroes have been done.
What did Alan Moore do differently?
2. Swamp
Thing is a small part of the DC Universe, protecting only "the Green"
and his swamp in Louisiana. How do Moore
and other writers make him important DC storylines?
3. What is
the importance of Abigail in Swamp Thing's life?
4. Many of
Moore's Swamp Thing arcs focus on the
characters and happenings around him rather than himself. One later arc sees Abby defending her love
for Swamp Thing, another involves Constantine and the fate of Hell. Nolan's Batman films seem to follow the same
formula of not focusing too much on the hero.
What are your thoughts on this storytelling technique?
5. Other than
Moore's run on Swamp Thing, it seems
the character has not had much success staying on for extended series. Why is this?
Does a horror/fantasy character not fit in the DC universe?
6. Is it
inevitable that a hero must die for a reboot to happen?
7. What did
you think of the inclusion of the Floronic Man?
What was Moore's thinking in introducing a character in the DC Universe
with similar powers?
8. The film
and television adaptations of Swamp Thing
failed spectacularly. One reviewer
of USA's live action Swamp Thing said
it wasn't even entertainingly bad.
What's so difficult about getting the character right?
9. The story
arcs occasionally touch on environmentalism and a Bigfoot-esque hunt for Swamp Thing. Was Moore wise not to focus more on these
ideas?
10. Moore was
writing Watchmen simultaneously with Swamp Thing for a while. Did you see any evidence or hints of
this?
11. Swamp Thing was the first to abandon the Comics Code Authority and cater to adults. Is this evident? What effect does that have on the series and other comics released at the time?
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